Writing the Senses with April Dávila: Sensory details can transform a story from something mundane into something truly beautiful, but they can also be easily overwritten. In this session, we practice writing about each of our senses in turn, then discuss how to edit so that only the most compelling descriptions remain in our final draft.
SESSION FULL - Beginnings with Scott Driscoll: We’ll talk about how to hook readers on the opening page, how to excite anticipation for the story to follow, and how to make sure something of significance happens that sparks a reaction. Suitable for all levels. Three Key take aways: 1) Writers will learn how to fashion opening lines that grab readers’ attention. 2) Writer’s will learn three things necessary to set up the story so it delivers what the reader expects. 3) Writer’s will learn how to make sure something happens in the opening that the main character must react to and how to make sure it will be significant enough to matter deeply to the character and the reader.
Writing and Publishing for a World in Eco-Crisis - Panel Discussion: As the world suffers from climate change and other eco-crises, writers struggle to write about nature without succumbing to hopelessness. In this in-person session, three essayists/poets/publishers discuss researching, writing, and publishing place-based writing that explores harms to ecosystems and landscapes while also educating, inspiring, and fostering effective action in readers. A panel discussion will be followed by an audience Q&A session. Panelists: Adrienne Ross Scanlan, Gail Folkins, Jill McCabe Johnson.
Writing Right: Copyright Basics with Rebecca Lanctot: Did you know the Eiffel Tower is trademarked when lit up? Or that publishers generally expect writers to be responsible for damages based on third-party infringement claims? This session dives into these and related questions, in an overview of copyright and trademark issues that you should be aware of and consider when writing.
Rebecca Lanctot is an attorney and MBA. Over the past 25+ years, she has worked in the entertainment, media, technology, publishing, and retail industries, in a variety of roles and capacities. She regularly provides pro bono legal services, primarily through Washington Lawyers for the Arts (WLA), of which she is the immediate past Chair and a current Board member.